Classic Ralph Lauren
Pentax 35mm & Kodak Tri-X 400
This.
Stuck in traffic, out of focus.
On the way to lunch. (:
First roll after a break from the F5, there are at least 4 “crap! I forgot how sensitive that shutter button is!” Here’s one. (:
Saturday.
- Lincoln: His Speeches and Writings
- Among the Oak & Ash
- Q&A in Vanity Fair that tipped me off to it.
- Were the World Mine soundtrack
- Some colour film for the Polaroid 330.
Yay!
From the summertime.
I keep a dictionary & thesaurus at hand at all times. I only pull out the big boy here when the paperback-sized one fails me (which is…annoyingly often, actually). What I like about the big boy is the graded, inset letter dividers. (:
Instant film → Polaroid → Film Types
I’m not saying that I used the “Type 100” section as a guide for searching eBay, I’m just sa— okay, yes that’s exactly what I’m saying.
What? My resolution was no new gear; a girl’s gotta buy film, yo!
Post-Apocalyptic Cinematography: “We talked to the people who monitored Chernobyl about what the world would sound and look and taste and feel like after the bombs have gone off,” said McG. “Then we got a dead Kodak stock. We baked it in the sun a little bit too long to damage the film, and then we shot on uncorrected Panavision lenses that flare more easily and aren’t quite as sharp as Primo lenses but have an interesting patina. Most importantly we added three times as much silver in the processing than one traditionally would to a color stock. Add it all up and you get this otherworldly, desolate feeling.
Exclusive Images Reveal McG’s Terminator Salvation Vision
That’s…kind of cool.
